KOMODO-X™

KOMODO-X™ is the next evolution in the KOMODO family, multiplying the frame rates, dynamic range, and usability of the original KOMODO to break new grounds.


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USD 6,995.00
CHOOSE YOUR PACKAGE
  • KOMODO-X
  • STARTER PACK
  • PRODUCTION PACK (V-LOCK)
  • PRODUCTION PACK (GOLD MOUNT)
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Description

NEXT GENERATION KOMODO® SENSOR

KOMODO-X features the same sized 6K S35 Global Shutter sensor as the KOMODO, but with a ground up redesign and key architecture improvements.

Improved detail and color in shadows, paired with double the frame rates at 6K 80P and 4K 120P makes KOMODO-X an even more powerful tool for creatives.



ENHANCED BODY AND I/O

With key improvements for professional workflows, the KOMODO-X now shares many features with the DSMC3™ line while still maintaining the impressively small KOMODO form factor. An integrated micro V-Lock allows for direct attachment of professional micro V-Lock batteries without the need for adapters and is also compatible with the upcoming RED Pro I/O Module to provide auxiliary power and compatibility with full sized V-Lock and Gold Mount batteries.

A reinforced RF lens mount with locking mechanism maintains the flexibility of toolless switching between multiple lens mount types, while providing the stability and rigidity professionals need. KOMODO-X is also fully compatible with /i PL lenses using the RED® RF to PL Adapter.

12G SDI, full sized DC-IN, USB Type-C, and a phantom powered locking audio connector further enables KOMODO-X to seamlessly integrate into any professional workflow. KOMODO-X is compatible with DSMC3™ RED® 5-Pin to Single 3.5mm Adapter to support existing KOMODO microphones, or the DSMC3™ RED® 5-Pin to Dual XLR Adapter for general purpose XLR microphones.

An integrated 2.9” LCD allows for simplified control and image preview in compact setups. For more precise monitoring, KOMODO-X supports the DSMC3™ RED® Touch 7.0" LCD which provides a daylight viewable, high-resolution, camera top monitor and control solution without the mess of cables.



IP CONNECTED

KOMODO-X is a powerful platform for any IP based workflow, from virtual production to live broadcast. With integrated USB Type-C connection and built-in Wi-Fi, remotely control the camera using RED Control or RED Control Pro, as well as IP media offloading using FTPS or in-camera Cloud Uploading functionality (Frame.io and S3). In addition, KOMODO-X supports frame-accurate PTP synchronization or tri-level genlock sensor sync with the ability to offset on the fly to support multi-camera LED volume productions.

KOMODO-X also supports RED Connect, a licensed feature that allows for live broadcasting of 6K images directly from the camera over IP, expanding RED’s cinematic imagery into boundless new uses.



INCLUDED:

  • KOMODO-X Camera Body
  • DSMC AC Power Adaptor Pack (150W)
  • RED Logo Sticker​
  • KOMODO-X Information Card (incl. registration and support info)​
  • 1 Year Standard Warranty

STARTER PACK:

  • 1x KOMODO-X Camera System
  • 2x RED PRO CFexpress 1TB
  • 1x RED CFexpress Card Reader
  • 2x REDVOLT NANO-V
  • 1x RED Compact Dual V-Lock Charger
  • 1x KOMODO® Wing Grip
  • 1x KOMODO® Outrigger Handle​
  • 1x DSMC3™ 5-Pin to Single 3.5mm Adapter
  • 1x RED® EXT-to-Timecode Cable 3'
  • 1 Year Standard Warranty (camera only)

PRODUCTION PACK:

  • 1x KOMODO-X Camera System
  • 1x DSMC3 RED Touch 7” LCD
  • 2x RED PRO CFexpress 1TB
  • 1x RED CFexpress Card Reader
  • 1x RED Pro V-Lock or Gold Mount I/O Module
  • 1x RED Compact Top Handle
  • 1x DSMC3 RED 5-Pin to Dual XLR Adapter
  • 1 Year Standard Warranty (camera only)
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Specifications
710-0356
SENSOR TYPE
KOMODO-X 19.9MP Super 35mm Global Shutter CMOS
EFFECTIVE PIXELS
6144 x 3240
SENSOR SIZE
27.03 mm x 14.26 mm (Diagonal: 30.56mm)
DYNAMIC RANGE
16.5+ stops
MOUNT TYPE
Integrated locking RF mount with electronic communication
Supports /i PL lenses with RED® RF to PL Adapters
Supports Canon EF Adapter with communication and other adapters based on the RF mount
MAX DATA RATES
Up to 560 MB/s using RED branded or other qualified CFexpress media cards[1]
REDCODE® RAW MAX FRAME RATES
80 fps at 6K 17:9 (6144 x 3240)
96 fps at 5K 17:9 (5120 x 2700)
120 fps at 4K 17:9 (4096 x 2160)
240 fps at 2K 17:9 (2048 x 1080)
PLAYBACK FRAME RATES (PROJECT TIME BASE)
23.98, 24, 25, 29.97, 30, 50, 59.94, 60 fps, all resolutions
BEST AVAILABLE REDCODE® SETTINGS
REDCODE HQ, MQ, LQ, and ELQ at 2K 17:9 (2048 x 1080) up to 240 fps
REDCODE HQ, MQ, LQ, and ELQ at 4K 17:9 (4096 x 2160) up to 120 fps
REDCODE HQ, MQ, LQ, and ELQ at 6K 17:9 (6144 x 3240) up to 80 fps
REDCODE® RAW ACQUISITION FORMATS2
2K 17:9 (2048 x 1080)
4K 17:9 (4096 x 2160) and 16:9
5K 17:9 (5120 x 2700) and 16:9
6K 17:9 (6144 x 3240), 2:1, 2.4:1, 16:9. 1:1, and Anamorphic 2x, 1.8x, 1.6x, 1.5x, 1.3x, 1.25x
APPLE PRORES
Dedicated recording in 4K (4096 x 2160) ProRes 4444 XQ up to 60 fps, ProRes 4444 up to 80 fps, and ProRes 422 HQ, ProRes 422, and ProRes 422 LT up to 120 fps
CONSTRUCTION
Aluminum Alloy
DIMENSIONS
129.37 x 101.26 x 95.26 mm / 5.1 x 4 x 3.8 in (LxWxH, largest fixed dims.)
WEIGHT
2.62lbs (without body cap and CFexpress card)
BATTERY TYPE
Integrated V-Lock battery interface optimized for Micro V-Lock Batteries[1]
DC POWER INPUT
11-17V via 6-pin DC-IN
OPERATING TEMPERATURE
0°C to 40°C (32°F to 104°F)
STORAGE TEMPERATURE
–20°C to 50°C (–4°F to 122°F)
STORAGE HUMIDITY
0% to 85% non-condensing
COLOR MANAGEMENT
Image Processing Pipeline 2 (IPP2)
Supports 33×33×33 3D LUTs
Supports import and adjustment of CDLs
AUDIO
Integrated dual channel (mic/line/+48V) input via 5-Pin 00B Audio Port, uncompressed, 24-bit 48 kHz
Integrated dual channel digital mono microphones, uncompressed, 24-bit 48 kHz
AUTOFOCUS
Phase Detect and Contrast
MONITOR OPTIONS
1.5G-SDI: Up to 2048 x 1080 4:2:2 for 30p, 24p
3G-SDI: Up to 2048 x 1080 4:2:2 for 60p
6G-SDI: Up to 4096 x 2160 4:2:2 for 30p
12G-SDI: Up to 4096 x 2160 4:2:2 for 60p
Integrated 2.9" 1440x1440 touchscreen LCD with preview and camera control
Integrated 12G-SDI with 6G-SDI, 3G-SDI and 1.5G-SDI modes
Proprietary Top Accessory Port for Monitoring and Control
SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio
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