AV8 Media is proud to be associated with the premiere training event for RED in Singapore.
RED Digital Cinema is committed to helping shooters develop hands-on, industry-specific skills through this program. Offering a fully immersive training environment, we provide the on-set and post-production experience needed to feel confident when shooting with any of RED's professional cameras.
This is real-world training taught by industry professionals. This course is tailored for all skill levels, from students to working professionals. Instructors teach application knowledge of RED's entire RAW workflow process, from digital acquisition through post production.
SSG Course Code: TGS-2023036441
WSQ Course Validity Period :
07-08-2023 to 06-08-2027
Course Duration:
3 days (9 am to 6pm)
24 course hours (excluding breaks)
Upcoming Course Dates:
1 - 3 July 2025 (Tue - Thu)
Classes are in person. Equipment and materials are provided. Participants only need to bring their own writing materials. Custom courses can be arranged for your organisation if you have a minimum number .
Full Course Fee:
S$ 1800.00 before 9 % GST
S$ 1962.00 after 9 % GST
This is a WSQ course which qualifies for various types of government funding
| Applicant | Course Fee Payable incl 9% GST |
| Self Sponsored Singapore Citizens and PRs aged between 21 and 40 years (50% funding excluding GST) | S$ 1062.00 |
| Self Sponsored Singapore Citizens aged ≥ 40 years old ( SkillsFuture Mid-career Enhanced Subsidy,70% funding excluding GST)) | S$ 702.00 |
| SMEs and Organisation sponsored employees, including LTVP+ holders (Enhanced Training Support for SMEs) | S$ 702.00 |
Skillsfuture credit is applicable for self sponsored applicants
Skillsfuture Enterprise Credit (SFEC) and absentee payroll is applicable for SMEs
More information available on our Funding page. All funding is subject to approval from the relevant agencies.
Please indicate your interest here
https://form.jotform.com/232779059821466
Course Objectives
By the end of this course learners will able to operate cameras to frame and compose images according to technical specifications and production styles
They will be able to:
• Understand cinematography principles and techniques
• Interpret technical specifications of RED cameras
• Set up and inspect RED cameras
• Operate RED cameras in a variety of shoot scenarios
• Mount and operate RED cameras for a range of camera movement
Venue:
LaSalle College of the Arts
Detailed Course Outline:
3-DAY RED COURSE
Led by a team of RED professionals, students shoot and review 4K+ footage on the big screen each day.
The course covers:
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Day 1
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History of RED
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Current RED Camera & Sensor Overview
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Key Concepts: Global vs. Rolling Shutter, Why Resolution?
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General User Interface (GUI) Overview
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Exposure Strategies
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Shooting Exercise: Exposure, Frame Rate, Shutter Angle
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Post Production, Footage Review
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Day 2
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GUI Advanced Menus & User Pages
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Frame Rates
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Compression Settings: Downsampling, Future Proofing
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RED’s Advanced Color Science & Image Processing Pipeline 2 (IPP2)
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Competitive Comparisons to REDCODE
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Shooting Exercise: Compression, IPP2
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Post Production, Footage Review
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Day 3
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Advanced Recording Modes: Timelapse, Camera to Cloud, FTPs Workflows
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3D LUTs, CDLs, Pre-Record, Global Vision
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REDCODE RAW v ProRes Modes in-Camera
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Shooting Exercise: Advanced Modes, FTPs, Apply LUTS, Shoot ProRes
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Advanced Workflow Overview
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FAQs for DITs, Data Wranglers, Offload & Storage Systems
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Motion to Stills
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Post Production, Footage Review
Attendance and Assessment requirements
To receive the statement of Attainment (SOA)
-Learners need to achieve at least 75% attendance
-Learners need to be declared competent in the assessment consisting of a Written Test (MCQ) and a Practical Test (Simulation)
Please indicate your interest below
https://form.jotform.com/232779059821466
Instructors:
An Adobe Premiere Pro and Blackmagic DaVinci Certified Instructor who has conducted training for companies like HBO, Disney, Fox Sports, Globecast and Sony Singapore among others.
Kevin co-found Widescreen Media Pte Ltd, a company that pioneered Stereoscopic 3D filming and consultation in this region. He trained the crew and filmed the first digital 3D movie in China “Flying Swords of Dragon Gate”(2011) directed by veteran HK Director Tsui Hark and had a box office of USD$100 Million. He has worked extensively on projects throughout South East Asia and China including providing stereoscopic consultation for Stephen Chow’s “The Mermaid 3D” and Korean VFX blockbuster “Mr Go”. He has been an expert RED camera user since 2007 and has conducted training for RED users throughout Asia including Indonesia, Vietnam, Cambodia and Malaysia